David Gordon Green and Danny McBride return with the conclusion to their Halloween reboot/sequel trilogy, Halloween Ends. The film is just as messy and divisive as the previous entries, but it finds some unique footing and takes a new stab at the tired slasher format. As an end to the Laurie Strode saga, it’s problematic to say the least, but as a film on its own right, it’s something different and surprising.
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Michael Myers is resurrected once again, this time by filmmaker David Gordon Green, with the aide of his screenwriting partners Danny McBride and Jeff Fradley. The result is an affectionate love letter to the original that explores the effects of deep-seated trauma and the toll it takes on the family, all while delivering suspenseful slasher thrills. It doesn’t always find its footing, but it’s a better suited sequel in a franchise full of tired and generally uninspired follow ups.
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