Nic frreeeeaaaaaakking Cage is back, baby, and this time he’s playing a parody of himself in Tom Gormican’s action comedy, The Unbearable Weight Of Massive Talent. It’s a pretty entertaining and fun-filled filmic shrine to all things Nicolas Cage, but as a whole, it doesn’t quite reach its full potential and fizzles out into another middling Cage vehicle.
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Writer/director Michael Sarnoski cooks up a sublimely subversive three-course meal with his feature film debut, Pig. Although it’s masked as a revenge film, at its core Pig is a profound, genuinely affecting drama that proves that revenge doesn’t always have to be such a cold, violent dish.
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The “California Klaus Kinski,” Nicolas Cage, is back, and this time he’s fending off possessed animatronic puppets without uttering a single word. In theory, you would think this film would be a stupid-fun blast, but in actuality, it’s an underdeveloped snooze that sleepwalks through nearly every aspect of its production.
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