Following up his bonkers studio art film mother!, Darren Aronofsky pivots in an even smaller, more minimal, and restrained direction with his adaptation of Samuel Hunter’s 2012 play, The Whale. A self-professed “small movie with a big heart,” it’s a film overflowing with feeling, much of it sincere and played up to the rafters, that might not fully connect due to its narrative conveniences and overly stagey demeanor.
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Valdimar Jóhannsson’s feature film debut, Lamb, recently had its U.S. premiere at Fantastic Fest, and boy, is it a beautifully strange beast! This tantalizing, slow burning, folkloric fable effortlessly blends the real with the inexplicable to create something powerful and unique. Charmingly odd, and hilariously straight-faced, Lamb oozes a compelling mystique that must be seen to be believed.
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Writer/director Michael Sarnoski cooks up a sublimely subversive three-course meal with his feature film debut, Pig. Although it’s masked as a revenge film, at its core Pig is a profound, genuinely affecting drama that proves that revenge doesn’t always have to be such a cold, violent dish.
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