Travis Stevens is totally unhinged in his latest film, A Wounded Fawn, a psychedelic giallo-tinged arthouse horror that embraces the psychotic. The film is a gritty and grimy vibe that blends slasher and cabin-in-the-woods subgenres to interesting affect.
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Fantastic Fest delighted its audience with their first secret screening of the festival, the U.S. premiere of Edgar Wright’s Last Night In Soho. This soggy, neon-glazed psychological horror/comedy is a stylishly slick visual feast that transports viewers to the swinging 60s of London’s West End, but it unfortunately fails to do much else.
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Director James Wan returns to his horror roots and funnels his Aquaman money into one of the weirdest studio-backed films in recent memory with Malignant. Part possession film, part Giallo, and thoroughly WTF, Wan whips up a stylish and atmospheric potpourri that glorifies the gory and commemorates the silly and strange.
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