Fantastic Fest 2022: A Wounded Fawn — An Experimental Arthouse Slasher That Unleashes The Furies

December 01, 2022 / Aaron Haughton

Travis Stevens is totally unhinged in his latest film, A Wounded Fawn, a psychedelic giallo-tinged arthouse horror that embraces the psychotic. The film is a gritty and grimy vibe that blends slasher and cabin-in-the-woods subgenres to interesting affect.

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tags / Fantastic Fest, Fantastic Fest 2022, FF22, FF Diaries, Fantastic Fest Diaries, Viddy Well, Viddy Well Film Blog, Nothing But Movies, I Love Cinema, Genre Film, Film Festival, Austin Texas, Alamo Drafthouse, A Wounded Fawn, Travis Stevens, Josh Ruben, Nathan Faudree, Serial Killer, Horror, Horror Film, Avant-garde, Experimental film, psychodrama, slasher, Giallo, 16mm, Dario Argento, Kenneth Anger, Sam Raimi, dreamy, cabin in the woods, VAAAL, Sarah Lind, Ksusha Genenfeld

Fantastic Fest 2022: Smile — A Solid Installment In “Transferrable Curse” Subgenre

Parker Finn’s feature film debut, Smile, kicked off this year’s Fantastic Fest, where the film received its world premiere. The film is the latest in the “transferrable curse” subgenre, which it uses to make a statement on trauma. It doesn’t do anything new, but everything it does, it does in an effective manner.

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Fantastic Fest 2022: A Wounded Fawn — An Experimental Arthouse Slasher That Unleashes The Furies

Fantastic Fest 2022: Smile — A Solid Installment In “Transferrable Curse” Subgenre